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 Central School
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Wayland NY 14572

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 English 12: Creative Writing 

Wayland-Cohocton High School              

Course Overview and Outline

Mr. Folts

 

Genres/ Units of Study

Poetry

Fiction

Playwriting                                

Creative Non-fiction                 

 

Course Calendar

Creative Writing Links

 

Course Description:

The course will focus on the reading and writing of short fiction and poetry.  Short fiction will be read in order to review and reinforce student understanding of the literary elements of a narrative (point of view, plot, character, setting, mood, tone).  Short fiction will be written in order to demonstrate a functional understanding of these elements.  Poetry will be read in order to review and reinforce student understanding of the literary elements of verse (rhyme, meter, rhythm, alliteration, imagery, simile, metaphor, enjambment) as well as the genres of verse (narrative, lyric) and several common forms of verse (sonnet, blank verse, free verse, haiku).  Poetry will be written in order to demonstrate a functional understanding of these elements, genres, and forms.

 Course Objectives

  1. Students will understand and participate in a recursive writing process that includes prewriting, drafting, revising/conferencing, editing, and publishing.
  2. Students will demonstrate an understanding of literary elements and techniques through use in their writing.
  3. Students will engage in literary criticism and evaluation of texts which provide examples of the literary elements and/or techniques that they are exploring.

 Course Requirements

  1. In-class and outside-of-class readings and writing assignments.
  2. Participation in class discussions and criticism of student drafts.
  3. Submission of one creative work to the literary magazine, Starred.
  4. Ten (10) poems.
  5. Three (3) short stories (2 at least 4 pgs long).
  6. One (1) short (one-act) play.
  7. A final publication.

 Final Publication

The final publication will be a compilation of your creative work from the whole course.  It will take the form of a chapbook, completed in Microsoft Word, printed and bound in some manner to read like a real book.  The first section will be an introduction to your works.  You will write this last, only after you have completed all of your revisions.  The first work in “your book” will be a revised version of one of your writings—what you consider to be your best work this year.

 

Materials List

·        Composition Notebook

·        Folder

·        Pens

·        Loose leaf Paper

·        Flash Drive (to save typed stories and poems—may be used for other classes)

 

Course Calendar

Week/Genre

Description

Writing Due

 

1

Intro

Topic(s):  The Writing Process, Journals, Rituals

**Set up classroom “habits” for focused writing time.

Creativity--Randomness and Discipline

 

Readings:

Chapter 2 Responding to Prose

Chapter 2 Writing with Power

Chapter 3 The Young Writer’s Handbook

 

Journal Writing

“Who I am as a Writer”

 

 

2

Poetry

Topic(s): Strong Images and Sensory Details

 

Readings:

“How Poetry Comes to Me” –Gary Snyder

“Keeping Things Whole” –Mark Strand

“If a Babyonian…” –H.L. Hix (Poetry)

“Canned Food Drive” –Kathleen Lynch (Poetry)

“Poetry as No Big Deal” from Writing With Power

Chapter 4 The Young Writer’s Handbook

 

Image Poems

Haiku/ Tanka

Abstract Idea Poem

 

3

Poetry

Topic(s):  Figurative Language

Metaphor, Simile, Extended Metaphor, Personification,

Synesthesia

 

Readings: 

“Odes” Keats and Neruda

“Night is a Cistern” –Adam Zagajewski (Poetry)

“Blue-Crested Cry” –Jennifer Reeser (Poetry)

“Pompeii” –John Brehm (Poetry- elegy)

“Figures of Speech” from Poem-Making

“Writing Poems” from The Young Writer’s Handbook

 

Lyric Poetry

Odes

Elegies

 

 

First 5 Poems Due

 

4

Poetry

Topic(s):  Sound Devices

Alliteration, Assonance, Consonance, Onomatopoeia, Rhythm, Meter, Syllabic Emphasis, Scansion

 

Readings: 

“Daddy” –Sylvia Plath

“The Waking” –Theodore Roethke

“Villanelle” –Campbell McGrath (Poetry)

“Some Kind of Hunter” & others –Megan Grumbling

“Getting There” –J. Allyn Rosser (Poetry)

Sonnets

Spoken Word Poetry

Song Lyrics

 

Sonnets (Shakespeare v. Petrarch)

Villanelles

 

 

5

Poetry

Topic(s):  Text Devices

Stanzas, Line Breaks, Concrete Poetry, Word Play

 

Readings:

“Cuckoldom” –BJ Ward (Poetry)

“American Poetry in the New Century” –John Barr (criticism)

“Letters to the Editor” from November 2006 issue of Poetry

 

Sestinas

Concrete Poems

Narrative Poems

 

 

Second 5 Poems Due

(10 Total)

 

6

Fiction

Topic(s):  Descriptive Language/ Texture

Nouns and Verbs

 

Readings:

“Hills Like White Elephants” –Ernest Hemingway

 

 

 

7

Fiction

Topic(s):  Round vs. Flat Characters

 

Readings:

 

 

First Draft of Story 1 Due

 

8

Fiction

Topic(s):  Narration—Making an Entrance/ Point of View

Stream of Consciousness, Past or Present Tense

 

Readings:

“Thirteen Hundred Rats” –T.C. Boyle

 

 

 

9

Fiction

Topic(s):  Conflicts/ Dilemmas

 

Readings:

 

 

First Draft of Story 2 Due

 

10

Play-

Writing

Topic(s):  Playwriting Conventions/ Dialog

 

Readings:

 

 

Character Study Pages Due

 

11

Play-

Writing

Topic(s):  Character Study/ Motivation

 

Readings:

 

 

One Act Play Due

 

12

Creative

Non-fiction

Topic(s):  A New Genre

 

Readings:

What is Creative Non-Fiction?

http://www.class.uidaho.edu/druker/nonfic.html

 

 

 

13

Creative

Non-fiction

Topic(s): 

 

Readings:

 

 

 

 

14

Choice

Topic(s):  Goal Setting/ Deadlines for a Writer

 

Readings:

 

 

Writing Proposals Due at end of week

 

15

Choice

Topic(s):  The Writing Seminar

 

Readings:

 

 

 

 

16

Choice

Topic(s): 

 

Readings:

 

 

 

 

17

Final

Project

Topic(s): 

 

Readings:

 

 

 

18

Final

Project

Topic(s): 

 

Readings:

 

 

Revision of Major Works

19

Final

Project

Topic(s): 

 

Readings:

 

 

Introductions

Prefaces

20

Final

Project

Topic(s): 

 

Readings:

 

 

Chapbooks Finished & Printed

Public Reading